Our editorial gatherings can get a bit random towards the end of proceedings; such is the evolution of many “carefully-crafted” issues of this publication! So, as we write, David Cashmore practises his Fender chops, while Howlin’ Wolf, distinctively intones the Blues out of Cashmore’s other sound system.
“You wonder why any of those white boys bothered to imitate,” David muses. Our response: Because the likes of the Stones and the Yardbirds were British, and because, in North America, the Blues wasn’t for white boys. It is the same reason, the same need to respond, that has moved David to plug in his own guitar, adjusted his effects, and improvise along.
A purpose of an editorial is to entice the reader to engage with the offerings, something like the uncovering of a need. An editorial is somewhat like the opening joke of a long lecture. (It is also an opportunity for the editors to put in their fifty cents. Fifty cents doesn’t buy much cheese these days, so it is better invested here.)
